![]() While there are some obvious differences between the French Dispatch of the Liberty, Kansas Evening Sun and the New Yorker - among other things, the latter has soldiered on into the new millennium - Anderson’s status as a New Yorker fanboy is clear from the start. It’s that the whole film is a tribute to the kind of literary magazine that so many writers of my vintage dream of working for, specifically the New Yorker, whose famed editors and writers, like Mavis Gallant, Harold Ross, and James Baldwin, furnish the models for a number of the film’s characters. It’s not just that Ennui-sur-Blasé stands in for some imagined version of Paris, the kind that Francophile Americans imagine still exists in some corner of that storied town, a little seedy but also incredibly cute. The French Dispatch seems formulated in a lab for my narrative preferences. (Occasionally I might argue he’s too visually oriented.) For some people, his movies play like some kind of soothing ASMR for the eyes. He favors symmetry and fussiness, intricately designed tableaus and meticulously selected color palettes. In a plot- and spoiler-obsessed film culture, he’s the rare filmmaker who reminds people that movies are a primordially visual medium. The French Dispatch is nostalgic, a little weird, visually sumptuous - all characteristics that are far too uncommon in mainstream American film today. Part of the trouble with Wes Anderson is that I know he’s making movies specifically for me, an occasionally pretentious dreamer with francophile tendencies and a fetish for printed magazines. It’s just that the eponymous listlessness and indifference is, for me, its entire emotional effect. Wes Anderson’s latest (full title: The French Dispatch of the Liberty, Kansas Evening Sun) is not bad, per se. The trailer shows different journalists finding their stories and presenting them to the editor, played by Bill Murray.Īccording to The New Yorker, the movie is based on this magazine, with the three main stories dramatized in the film also being loosely inspired by the magazine and its writers.The French Dispatch takes place in the fictional town of Ennui-sur-Blasé, France - the name of which, to my chagrin, neatly matches my feelings about the movie. "It's not a movie about freedom of the press, but when you talk about reporters you also talk about what's going on in the real world." It is more a portrait of this man, of this journalist who fights to write what he wants to write. " American journalist based in France creates his magazine. Speaking to Charente Libre, a French regional publication, Anderson said: "The story is not easy to explain. The official synopsis of the movie reads: " The French Dispatch brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city." "The French Dispatch" is the new movie from Wes Anderson. The film's festival premiere was moved to July 12, 2021, still at the Cannes Film Festival. ![]() ![]() The French Dispatch was originally meant to premiere at the Cannes Film Festival 2020, which was canceled because of COVID-19. The film was rescheduled from its original release date in July 2020 due to the coronavirus pandemic, and also had its premiere delayed by a year as well. The French Dispatch comes out around the world on October 22, 2021. When Is 'The French Dispatch' Out in Movie Theaters? Here is everything there is to know about the new movie from the auteur. So far, the film has received critical acclaim since its debut at Cannes on Monday, ahead of its worldwide release later this year. Of course, some familiar faces have also returned to the Anderson movie fold, with Loki star Owen Wilson, Doctor Strange's Tilda Swinton and veteran actor Bill Murray among them. Read more Bella Hadid's Lung Necklace at Cannes Hailed As 'Breathtaking' by FansĪnderson has also brought in some star power into the new movie, with big names like Elisabeth Moss and three-time Oscar winner Frances McDormand among new collaborators. ![]()
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